GROUPER
Saturday, August 29, 2026
7:30 PM | General Admission
$37
With special guest: MARISA ANDERSON
A multi-instrumentalist, DIY-inclined producer who has issued the bulk of her solo work under the pseudonym Grouper, Harris secured more or less permanent critical-darling status with her 2008 breakthrough of sorts, Dragging a Dead Deer Up a Hill.
Grouper’s music lends itself to precisely the kind of introverted presentation that Harris has been able to sustain since making her full-length CD-R debut in 2005. Though keyboards, piano, guitar and Harris’s own voice have always been central to her work, her trademark has been to engulf those sounds so the overall atmosphere—not so much the instrumentation—occupies the spotlight. On any given Grouper release, the clarity of the individual parts tends to get washed out in a thick blanket of whatever sonic element is most prominent in the mix, be it volume saturation, reverb or other effects. Harris has intentionally tilted the balance from release to release, to the point where her catalog runs the gamut from lo-fi shoegaze/dream pop and experimental folk to ambient drone, field recordings and out-and-out noise.
Doors open at 6:30 PM. Arrive early and visit concessions in the Lower Lobby for drinks and snacks to enjoy from your seat!
7:30 PM | General Admission
$37
With special guest: MARISA ANDERSON
A multi-instrumentalist, DIY-inclined producer who has issued the bulk of her solo work under the pseudonym Grouper, Harris secured more or less permanent critical-darling status with her 2008 breakthrough of sorts, Dragging a Dead Deer Up a Hill.
Grouper’s music lends itself to precisely the kind of introverted presentation that Harris has been able to sustain since making her full-length CD-R debut in 2005. Though keyboards, piano, guitar and Harris’s own voice have always been central to her work, her trademark has been to engulf those sounds so the overall atmosphere—not so much the instrumentation—occupies the spotlight. On any given Grouper release, the clarity of the individual parts tends to get washed out in a thick blanket of whatever sonic element is most prominent in the mix, be it volume saturation, reverb or other effects. Harris has intentionally tilted the balance from release to release, to the point where her catalog runs the gamut from lo-fi shoegaze/dream pop and experimental folk to ambient drone, field recordings and out-and-out noise.
Doors open at 6:30 PM. Arrive early and visit concessions in the Lower Lobby for drinks and snacks to enjoy from your seat!
